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How to Diagnose and Resolve Problems with Sharing in Final Cut Pro Using the Blade, Split Half Search and Other Techniques

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If you’ve ever experienced a video rendering error 10008 or similar message while using Final Cut Pro, you know how frustrating it can be. Fortunately, there are some simple steps that can help you troubleshoot the problem and get your project back on track. In this blog post, we’ll explore these steps and explain how to use them to find the cause of and resolve errors when working with Final Cut Pro. So if you’re ready to start troubleshooting your video rendering issues, read on!

00:00What the error looks like

When you encounter a video rendering error in Final Cut Pro, it can be difficult to know where to start. Fortunately, in some cases, the program provides an error message that gives you insight into what is causing the issue. Check to see if the message includes a timecode or frame number had the problem. Example: “The operation could not be completed because an error occurred when creating frame 1401 (Error (10004): preparing frame. “Name Here” cannot be rendered at 00:00:46:21.” In that example error the frame number and timecode are bold. Take note of the information and try the export again. In some cases the frame number changes which can indicate multiple clips are corrupted. With this information in hand, you can begin troubleshooting your project and find a solution quickly.

01:20How To Locate a Frame Number

02:45 • Cutting Out a Bad Frame

If you’re editing video in Final Cut Pro, it’s almost guaranteed that you’ll need to cut out a portion of a clip from a project. Fortunately, the Blade tool is the key to quickly and easily cutting out portions of a clip or bad frames you’ve discovered. Simply press “B” on your keyboard to activate the Blade, make two distinct clicks before and after what you want to remove – effectively isolating it in between – then delete it with the delete key! Just remember that this may adjust the project so be sure review afterwards for any unintended consequences and correct them as needed.

03:40 • How to use a Split Half Search

Using a split half search is a great troubleshooting tool available to you in Final Cut Pro that can help you quickly and easily locate problem areas within a timeline. The idea is to start by splitting your timeline in half. Export the first half of the project and then the second half. If you’ve been getting an error, you should get the error message and know which side of the project has the issue. If you’re not getting an error but seeing some other issue, review each side of the export independently to determine which side contains the issue that needs to be fixed. After you have identified which half of the timeline is causing the issue, split that half in two and continue to isolate the problem until you can identify a single frame or clip that is causing the problem. This process can take time but allows you to find problems without having to manually review each frame of your video project. Once you’ve identified an issue with a specific frame or clip, you can then take the necessary steps to fix that clip or remove it from your project. Make sure you have a backup of your project and then try out the split half search to find the issue with your project.

05:23 • Range Selection Tool to export a portion

08:15 • Determining when a clip went bad – Reveal In Browser

10:05 • Bad Render File

12:00 • Background Rendering Tip

13:22 • Check Media using Reveal in Finder

15:23 • Replacing a bad media file

If editing around the issue doesn’t work, you may need to replace the video clip in the Final Cut Pro timeline. The process can seem convoluted so it’s important to verify you have a backup of your data before attempting to replace the clip. First, right-click on the clip in the timeline and choose Revel in Browser (Shift-F). Right-click on the clip in the browser and select Reveal in Finder (Shift-Command-R) to display the file with the issue. Replace this clip with the copy of the clip that’s not having the issue. This can be a backup you previously made or a copy from the original source. Note that if the original source also has an issue, you won’t be able to fix it by replacing it and may need to seek an alternative method to resolve the problem. It’s also crucial that the clip durations of the current clip and the replacement match to have this work. Once replaced, open Final Cut Pro and test the clip to see if the problem is resolved.

17:25 • Returning to Final Cut Pro

In Final Cut Pro, troubleshooting a project can be quickly done with the Blade tool and split half search. The Blade tool allows editors to cut out portions of clips or bad frames, by pressing “B” on the keyboard to activate the Blade and making two distinct clicks before and after what needs to be removed. Split half search is also a great tool that can be used to quickly identify where the issue lies in a timeline. Finally, if editing around the issue doesn’t work, you may need to replace the video clip using a backup or copy from the original source. Keep in mind that if the original source has an issue, it won’t be fixed by replacing it with another copy of the file. Knowing how to use these tools will save you time and help you quickly troubleshoot any issues in your project. The next time an issue arises in Final Cut Pro, try using the Blade tool and split half search! Make sure to watch the video for additional troubleshooting tips.

Custom Shape Masks

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Final Cut Pro includes both simple and complex effects for creating masks. All of the included mask effects are discussed in this episode of Final Cut Pro Help Live. We will then demo how to use Pages to create custom shapes, converting those shapes to a PNG image with an alpha channel, and using Blend Modes in Final Cut Pro to utilize those shapes to create a mask.

00:00 • Overview What is a Mask

03:04 • Draw Mask Effect

07:42 • Inspector Mask Parameters

12:13 • Quick Triangle Mask with Draw Mask

13:25 • Graduated Mask

14:34 • Image Mask Overview

16:40 • Shape Mask

19:10 • Vignette Mask

20:33 • Create a Shape with Pages

22:30 • Convert Shape into PNG with Preview

23:46 • Add Shape to Final Cut Project

26:05 • Using Blend Modes

27:40 • Complex Shape (Page-Preview-Final Cut)

29:40 • Animate with Keyframes

35:00 • Adding Text to a Mask with Pages

Spatial Conform

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Final Cut Pro Glossary

Final Cut Pro makes it simple to add clips with various resolutions to a project. When the resolution of a clip is different from the projects, an adjustment to the clip is made. Select the clip, open the Video Inspector and locate Spatial Conform to see what type of adjustment was made. This section may not be visible when the resolution of the clip matches the projects.

0:00 • Spatial Conform

0:27 • Type | Fit

0:56 • Type | Fill

1:20 • Project and Clip with same frame size

1:58 • Clip with smaller frame

2:23 • Clip with larger frame

3:12 • Clip has different aspect ratio

4:10 • Copy and paste adjustments

Motion | Match Move

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Motion is an app developed by Apple Inc. and commonly used with Final Cut Pro. Behaviors are applied to objects in Motion to create animation. One of the behaviors is called Match Move. Match Move analyzes movement of a source to create movement data. That data is then applied to an object to create animation.

Watch this replay of Final Cut Pro Help Live above or use the links below to jump to a specific section of the stream.

00:00 • Show Overview
03:30 • Getting a Sample Image Sequence from https://www.hollywoodcamerawork.com/g…
04:31 • Create and Save the Motion Project
06:35 • Import the Image Sequence into Motion
09:11 • Match Move vs Analyze Motion
11:02 • Adding Match Move
12:50 • Adding Anchor Tracker
13:50 • Using the Tracker Preview and Analyze Motion
17:55 • Reverse Track
19:15 • Reset Anchor Point and Select a New Point
21:10 • Adding a second tracker for Scale and/or Rotation
24:53 • Adjusting an object after adding tracking data
27:28 • When using Match Move, is the Analyze Motion behavior needed?
28:22 • Adding and using the Analyze Motion behavior
35:27 • Applying Analyze Motion behavior data to a Match Move behavior
38:06 • Sending a clip from Final Cut Pro to Motion
39:40 • Share – Master File (from Final Cut)
41:33 • Create a new Motion Project
42:40 • Import the clip
44:40 • Adding Match Move behavior
47:10 • Share – Export Movie (sending from Motion to Final Cut)
49:20 • Adding exported clip from Motion to Final Cut project as an audition
50:20 • Returning to Motion to make a change and then updating Final Cut project

Create a Title Template with Motion

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Use Motion to create a reusable title template for use in Final Cut Pro.

0:00 • Create Motion Project
0:40 • Quick Overview of Motion Interface
1:42 • Create Pointer (Arrow)
2:28 • Add Text
3:08 • Save the Project
3:53 • Convert Project To Title
4:37 • Name Template and Select a Category
6:03 • Using the template in Final Cut Pro
7:03 • Adding additional control (Published Parameters)
8:30 • Using the additional published parameters in Final Cut

Watch the full replay of this Final Cut Pro Help Live episode https://youtu.be/pbXiLaVL7l8

Snapping

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Final Cut Pro Glossary

While skimming a project, have you noticed the skimmer doesn’t move smoothly across clips? This happens when Snapping is enabled because the skimmer is jumping or snapping to the various edits. Press the N key on the keyboard to enable or disable snapping.

00:00 • Snapping

00:20 • Turn Snapping on or off

00:52 • Enable or disable Snapping on the fly

01:26 • Snapping with Markers and Keyframes

Project

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Final Cut Pro Glossary

While editing with Final Cut, you have likely seen the terms Library, Event, Clip, and Project. They are generic terms but in Final Cut, they each refer to something specific. The terms create a hierarchy. At the top, represented by the icon with 4 stars, is a Final Cut Library. Each Library contains at least 1 event. The Event contains Clips and Projects. Media, including Video, Photos, Music, and Audio are all represented as clips in Final Cut. You, as the editor, are going to make choices on how those clips are mixed on a timeline. That timeline, is a project and, like clips, you can have multiple projects saved in an Event. Watch this video to better understand what a project is.

00:00 • Library, Event, Clip, and Project

01:09 • Create a Project

02:05 • The Timeline

02:25 • Projects in the Browser

02:45 • Info Inspector and Duplicating a Project

Audio Lanes

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Final Cut Pro Glossary

Rearranging audio clips on the timeline based on their assigned role can improve the editing experience. Click View-Show Audio Lanes to enable this feature. This visual change makes editing audio easier by grouping related audio clips together.

0:00 • Show Audio Lanes

0:43 • Adjusting a Batch of Clips

1:09 • Assign Audio Roles

1:42 • Timeline Index

Drop Frame Timecode

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Final Cut Pro Glossary


Drop Frame Timecode is listed as Hours:Minutes:Seconds;Frames Example: 01:05:20;13 = One hour, five minutes, twenty seconds, and thirteen frames When viewing timecode in Final Cut Pro, the ; (semicolon) before the frame number is an indication of drop frame timecode. One standard of timecode is NTSC which matches the real world clock by dropping 2 frame numbers from each minute (except every 10th minute). And, it is important to note that drop frame timecode numbers are skipped, not the actual frames.

0:00 • What is Drop Frame Timecode

0:46 • Using Timecode Viewer

1:16 • Adding Timecode Generator

2:24 • Comparing Timecode

Media Stems

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Final Cut Pro Glossary


Use the Final Cut Pro Share menu and the Roles tab to create media stems by exporting groups of clips based on their assigned role . These groups of video and audio files are media stems and usually shared separately for tasks such as audio mixing or special effects.

0:00 • Create Media Stems

1:07 • Assigning Audio Roles

2:00 • Share Roles as Media Stems