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How to use folders in Final Cut Pro

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As the number of clips imported into Final Cut grows so does the usefulness of the Libraries sidebar. Clips are imported into events and those events are stored inside a library. Those clips contain metadata and features like keywords, ratings, roles, among others empower editors to add their own. That metadata is then used to create various collections based on keywords or other criteria. However, the number of collections can quickly skyrocket making it difficult to navigate the Libraries sidebar.

To solve this problem, Final Cut utilizes folders to store multiple collections. To create a new folder, select an Event and go to File-New-Folder. If the Folder button is grayed out make, return to the libraries sidebar and select an Event. Folders can be created inside events or other folders.

Use the keyboard shortcut Shift-Command-N to create a new folder. This shortcut works regardless of which area of Final Cut is active but only if an event or other folder is selected in the browser. After pressing Shift-Command-N the new Untitled folder is created with the Untitled text selected. Without clicking, type in the name of the folder and press return to set the name. Please take the time to add a proper name to the folder as it will help you stay organized.

Try it! Use Shift-Command-K multiple times to create a bunch of new keyword collections. Then use Shift-Command-N to create a folder and move the keyword collections into that folder. Take it a step further by creating more folders to build a hierarchy. After you’re finished if you want to delete a folder, select it and use the Command-Delete shortcut to remove it. It’s important to note that any collections inside the folder are also deleted.

How to make an area of Final Cut active and what that means?

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Interacting with Final Cut Pro using keyboard shortcuts is one of the easiest ways to speed up a workflow. The single window design of Final Cut is actually broken up into areas that allow shortcuts to preform different tasks based on the active area. Clicking an area such as the timeline or browser makes that are active. A thin blue line displayed at the top of an area indicates it’s active.

Try it! In Final Cut, click on a clip in the browser and notice the thin blue line at the top. Press the space bar and that clip plays back in the viewer. Click on the timeline and notice the blue bar changes to the top of the timeline. Press the space bar and this time playback of the project starts. Instead of clicking back to the browser, press the tab key to switch the active area and press the space bar to begin playback of a source clip.

Match Color

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The process of shooting and editing video can be simple. Press record to capture clips, import and organize them into a timeline, then share it with an audience. This is great for a first timer creating content but you are likely reading this to continue growing as an editor. Learning the art of color correction makes your videos stand out from the rest. Professional Colorists spend a lifetime perfecting the skill but sometimes we settle for a quicker option.

Match Color is the feature included with Final Cut that applies a color adjustment to clips based on a reference image in an attempt to make the clips look similar. To begin, skim through footage in the timeline or browser and locate a frame with the desired color. This frame is the reference that will be used later. Mark the frame by pressing M to add a marker.

Next, select the clip or clips that need to be color corrected to match that reference. Press Option-Command-M to open Match Color in the viewer. Return to the marker from earlier and skim across it. Notice the frame shown on the left side of the viewer is the reference. Click to select the frame which generates a preview of the color correction on the right. Don’t like the correction generated by the initial reference frame? Click another frame to preview a different adjustment and repeat as needed. When satisfied click the Apple Match button in the lower right. The Match Color video effect is added to the selection.

Precision Editor

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Final Cut Pro is expertly designed to enable a wide range of editing tools at any given time without cluttering the interface. However, there are times additional controls make a desired edit possible. With a clip or edit point on the primary storyline selected, use Control-E to show the precision editor. Adjust the position of each clip and transition around an edit point. Use the up and down arrows on the keyboard to navigate between edits. Use Control-E a second time to close the precision editor.

Retime Editor

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Manipulate the playback speed of a clip to create slow-motion using the Final Cut Pro Retime Editor. Select a clip and use the shortcut Command-R to display the Retime Editor. A bar with a percentage is display across the top of the clip to indicate the playback speed. A clip playing back at normal speed is 100% and green. Click the drop down menu to select a preset slow or fast speed or set a different number using custom. Slow-motion changes to orange and purple for faster than realtime playback. Checkout the Modify-Retime menu for additional options.

Multicam Switch Video Angle

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Multicam editing with Final Cut Pro empowers editors by combining multiple clips into a single synced multicam clip. Edit the multicam clip by adding it to a project. The clip displays the active angle. Use keyboard shortcuts to change to the previous or next video angle. With playhead or skimmer on a multicam clip, press Shift-Command-Right Arrow to select the next video angle or Shift-Command-Left Arrow to select the previous video angle.

Note that this only changes the video angle and leaves the audio angle set.

Final Cut Pro Help Live Snippet | Editing Multicam vs Editing Multiple Cameras

Add and Delete Markers

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Press M to add markers for assisting with navigation, syncing clips, taking notes, and more. The color of the marker indicates type which include blue standard markers, red to-do items, green completed to-do items, and orange chapter markers. After adding a marker press M a second time to edit or delete the marker. Delete a marker at the playhead or skimmer location with the shortcut Control-M.

M | Add Marker | Add a marker at the skimmer or playhead location while editing with Final Cut Pro using this shortcut. Press the M key a second time to add notes or change the marker type
Option-M | Add Marker and Modify | From adding information to creating a reminder, markers are a fantastic Final Cut Pro tool. Press the M key twice or use this shortcut to add a marker and edit the marker’s text
Control-M | Delete Marker | Use this Final Cut Pro shortcut to delete a selected marker or a marker at the current playhead location
Final Cut Pro Help Live | Markers

Multicam Switching Modes

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Final Cut Pro includes powerful features used in multi camera editing workflows. One of these features is the ability to change switching modes. By default, clicking on an angle in the angle viewer (Shift-Command-7) creates a cut in the Multicam clip and switches both audio and video to that angle. In some cases, such as editing a music video, only the video should change while the audio remains the same. To accomplish this, set the switching mode to video only (Option-Shift-2), click a clip in the angle viewer to create a cut in the video only. When ready, use Option-Shift-1 to return to both audio and video which is the default switching mode.

Option-Shift-1 | Cut/Switch Multicam Audio and Video | During multicam editing use this Final Cut Pro shortcut to quickly turn on audio+video mode for cutting and switching
Option-Shift-2 | Cut/Switch Multicam Video Only | While Multicam editing with Final Cut Pro, use this shortcut to turn on video-only mode. This applies both to switching and cutting between angles
Option-Shift-3 | Enable Audio Only Switching | Use this Final Cut Pro shortcut to turn on audio-only mode for multicam cutting and switching

Go To Timeline

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Keyboard shortcuts enable time-saving commands for all applications including Final Cut Pro. Some apps split the interface into multiple windows which allows shortcuts to behave differently depending on which window is active. The Final Cut interface is primarily contained within a single window using a blue line to indicate an active area. This allows shortcuts to be repurposed based on the active area.

As an example, with the timeline active (Command-2), pressing the space bar starts or stops the playback of the project. However, if the browser is active (Command-1), the space bar controls the playback of browser clips. Use Command-2 to activate the timeline and monitor the active area with the blue line to avoid triggering the wrong command.

Command-2 | Go to Timeline | Move focus to the timeline with this Final Cut Pro shortcut. The thin blue line at the top of the timeline indicates the active area
Learn Final Cut Pro | Tour of the Final Cut Pro Interface

Copy and Paste Effects

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Working on a clip may only take a few seconds to create a simple transformation or it could be hours building a complex special effect. Apply the same changes to other clips using the copy and paste effects shortcut instead of repeating the steps over and over again. Copy the clip using Command-C (or Option-Command-C for convenience), select the other clip(s), and use Option-Command-V to apply the effects. This applies the attributes without any dialogue box. To see a list of attributes, use the Paste Attributes command (Shift-Command-V).

Option-Command-C | Copy Effects | Use this Final Cut Pro shortcut to copy the selected effects and their settings. Then, use the Option-Command-V shortcut to paste those effects onto another clip(s)
Option-Command-V | Paste Effects | While editing with Final Cut Pro, copy a clip, then use this shortcut to paste effects and their settings to a selection
Learn Final Cut Pro | Copy / Paste Effects & Attributes